Q Assess the effectiveness of Nathanael West's use of Surreal elements Essay

Q Assess the effectiveness of Nathanael Wests use of Surreal elements in The mean solar day of the Locust - Essay ExampleWhen the war finally ended, it was called the Great War, because it was thought that no such war would of all time be fought again.The next decades did nothing to break the pessimism that many felt about the grounds future. The crash in the world financial markets that happened in 1929, the worldwide drought in 1930, conspired to create the Great Depression, a worldwide scotch downturn that basically lasted until industry began gearing up for what would be called the Second World War. As a resultant role, the 1930s was a decade of extreme pessimism, which was manifested in a number of ways. The liberal arts produced case studies, reportage, documentary photography, low-class literature, and social problem films with the goal of reconstructing the hidden logic of an elusive social reality (Veitch, xvii).This is the time period in which Nathanael West make his literary mark. Jonathan Veitch makes note of the problems that critics have had in assigning West a particular place at bottom the writing of that time, and American literature as a whole. Different critics described him, variously, as a poet of darkness, an significative writer, a universal satirist, a homegrown unrealisticist, and a writer of the left. (Veitch xi, xvi). Some of these descriptions have definite contradictions with one and only(a)(a) another, but they all reflect different elements of the authors persona, and his work. His style was never constant. At times his pictorial proficiency closely resembled collage but also cartoon strips, movies, and several schools of painting, as well as such non-graphic visual arts as the tableau and the dance. (Schug).While many of Wests novels and other writings defy classification, though, The Day of the Locust does not. The surreal elements of this novel place it squarely in the camp of modernist fiction. His technique and met hods bear considerable similarity to those of his contemporaries. When one considers some of the commonalities of modernist fiction violence, decadence, irony, the grotesque, dreams, realism, allusion, distortion, and experimentation (Schug), all of these apply to The Day of the Locust, and many of them are a result of the surrealist techniques that West applies to his novel.The particular target of Wests writing in The Day of the Locust is the dilemma that the artist confront when taking on the growing culture industry of the 1930s. The Hollywood industry is both the object of inspection in the novel, as well as the subject of the story itself. The concur executes a dark denunciation of the so-called dream factory that Hollywood was in those times (and still is seen to be today) (Blyn). Ironically, those many of the aesthetic techniques at work in the novel owe a debt to that same Hollywood industry that the book itself is attacking. Consider, for example, the riot scene where a star appears at the premiere of a film. Protagonist Tod Hackett is interpreted away by the police in a squad carHe was carried through the spill to the back street and lifted into a police car. The siren began to scream and at first he thought he was making the noise himself. He felt his lips with his hands. They were clamped tight. He knew then it was the siren. For some occasion this made him laugh, and he began to imitate the siren as loud as he could. (185)Clearly, the siren operates as a